Interview: Christie Cook

How are you today?

For those who may not yet be acquainted with your work, could you elaborate on the essence of your sound and elucidate upon the prominent influencers that have shaped your artistic journey thus far?


I would describe my sound as easy listening with a storytelling, folk style. I love stories because I believe they are one of the quickest ways to reach the human heart. Many of my songs are inspired by observing or listening to people’s stories, whether from the Bible or real life. Stories can teach us many things if we just take the time to listen, and every person has a story to tell. They can teach us about love, compassion, kindness, the strength of the human spirit, and even about evil; they can inspire us to be better people. In every song and story, whether about triumph or tragedy, I aim to communicate that God is a beautiful being who is ever faithful and present. I hope that listeners will feel touched and find that they have experienced something worthwhile.
When I was a little girl, I often listened to artists such as James Taylor, Seals and Crofts, Carly Simon, Judy Collins, John Denver, Jackson Browne, and many others. All of these artists had a folk style that resonated with me. In college, I studied classical piano, which helped shape my piano instrumental compositions. After college, I studied with a fingerstyle guitarist named Steve DeVries and learned various tunings and techniques that influenced my sound as a folk artist.

In what ways has your geographical surroundings served as a muse for your creative endeavors? Have you observed any discernible impact of your locale on the evolution of your musical expression?

I am very fortunate to live in a somewhat secluded, peaceful country setting surrounded by nature. I have a piano in an enclosed front porch with large windows that overlook the property. I usually write in this room, which is open and airy, and every time I walk into it, I feel a sense of inner joy. My dog Blanca lies beside me, which I find very comforting.
Living in East Texas has had a discernible impact on my music. I’ve been surrounded by many skilled fiddle, mandolin, and banjo players. I tend to write three types of music: 1) instrumental piano accompanied by sax and cello, 2) acoustic Christian folk music, and 3) light-hearted secular songs where I might add some fiddle and banjo, depending on the song. Some of the latter have a hint of Texas charm.

Your recent single release has garnered attention. Could you provide insight into the genesis of this record and expound upon the narrative that informs its creation?

I was reading an excerpt from Max Lucado’s book Traveling Light, and it had such a beautiful message that I felt compelled to write a song about it. I leaned heavily on the following verses from the book of Matthew:
« The foxes have dens and the birds have nests, but the Son of Man has no place to lay his head. » (Matthew 8:20)
« Do not store up treasures on earth, where moths and rust destroy and where thieves break in and steal, but store up treasures in heaven. Where your treasure is, there your heart is also. » (Matthew 6:19)
“Come to me, all you who are weary and burdened, and I will give you rest. Take my yoke upon you and learn from Me, for I am gentle and humble in heart.” (Matthew 11:28)
While writing the song, I reflected on several things. First, the Cross and the fact that I am forgiven, allowing me to walk freely ‘traveling light’ in the grace that God offers. I don’t have to strive for perfection or earn His love—I already have it. I am loved by Him, faults and all. We all are; it’s just that some people don’t accept His love or pay attention to it.
I also considered how we can become burdened by the small and sometimes large daily challenges. Our minds can run away with worries, most of which won’t even happen. While writing, I thought about how, if we could just pause and ask God for help, He is always willing to step in. He promised He would never leave us orphans and that He would be with us always. Knowing this—and reminding myself of this truth sometimes daily—comforts me and enables me to travel lighter, much like the message in Max’s book. It helps me see challenges as temporary and know that I can overcome anything with Jesus’ help, even in suffering.

How does your latest single distinguish itself within the context of your discography? Furthermore, could you delve into the significance it holds for you personally?

I decided to arrange this song more simply, featuring just piano, my voice, cello, and violin. Many of my other songs incorporate drums and additional instruments. This piece is more lyrical, with a somewhat melancholy melody, but it conveys a timeless truth and message. It has a yearning quality to it, reflecting my own desire to travel light on this earth, which isn’t always easy. That’s why I believe we need to ask for help.
Some of my other songs are more light-hearted with underlying humor, like the jazzy « Lazy Day » or the bluesy « One Sock Blues. » Another song, « Last Bite of Bacon, » which will be released in September, features fiddle, a Chet Atkins-style guitar, mandolin, and bass.
This latest single holds a special significance for me because it embodies a deep, personal message and a desire for simplicity and reliance on faith. It distinguishes itself within my discography by its stripped-down arrangement and its heartfelt yearning for a lighter journey through life.

What aspirations do you harbor regarding the impression you wish your latest project to leave upon its audience?

My aspiration is always to point people’s hearts to God and show them what a beautiful being He is. I want them to not only feel but also know that God is always with them, even when they don’t feel His presence. Through this song, I hope people feel encouraged and remember that every challenge we face is temporary. God is truly with us and ever ready to help us ‘travel light’. We just have to believe, even in our suffering.

Can we anticipate the emergence of a new EP or, perhaps, an album from your artistic repertoire in the foreseeable future?

Absolutely! I hope to release a song every six weeks throughout this year. The next song in September, as mentioned above, is called « Last Bite of Bacon. » It’s a fun song with a happy vibe and is honestly about my dog, Blanca. However, it’s universal enough that one might think it’s about a spouse or a best friend. I’m super excited about this sweet song because I believe so many people will be blessed by it, and that’s my heartfelt intention.
Another song I will release in October is a cover tune called « Roseville Fair. » I first heard this song sung by Nanci Griffith many years ago and fell in love with it. Kevin Carter plays fiddle and mandolin, giving it a sweet, old-timey storytelling love story sound. The song’s theme is about a couple who met, fell in love, and danced at the Roseville Fair. It has a two-step type dance feel and makes me want to dance just singing it!
In late November, I will release a Christmas tune. 🙂


Looking ahead, what milestones do you envision accomplishing within the forthcoming five years, both artistically and personally?

Artistically, to just keep writing and hopefully balance singing to people while at the same time putting out new music. I would like to do more living room concerts and small coffee house type venues. Those are my favorite because people usually come to enjoy and listen to the stories in song. I also am learning day by day how to get my music out there on social media, and to be brave doing so. I hope to increase my listening audience around the world. 🙂